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・ Hugues Legault
・ Hugues Lepic
・ Hugues Loubenx de Verdalle
・ Hugues Merle
・ Hugues Miorin
・ Hugues Nanmi
・ Hugues Ngouelondélé
・ Hugues Obry
・ Hugues Occansey
・ Hugues Panassié
・ Hugues Portelli
・ Hugues Quester
・ Hugues Quiéret
・ Hugues Randin
・ Hugues Rebell
Hugues Sambin
・ Hugues Sweeney
・ Hugues Taraval
・ Hugues Tshiyinga Mafo
・ Hugues Wembangomo
・ Hugues Zagbayou
・ Hugues-Bernard Maret, duc de Bassano
・ Hugues-Wilfried Dah
・ Huguet
・ Huguet (disambiguation)
・ Huguet de Mataplana
・ Huguette
・ Huguette Bello
・ Huguette Bouchardeau
・ Huguette Caland


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Hugues Sambin : ウィキペディア英語版
Hugues Sambin

Hugues Sambin (ca. 1520–1601) was a French sculptor, trained as a ''menuisier'' or wood-worker;〔In 1547, in Dijon, he married the daughter of another ''menuisier''. ((Hugues Sambin (ca.1520 - 1601) ))〕 as a designer of Mannerist ornament his published designs, such as ''La diversité des termes'' ("The Diversity of Therm figures") Lyon, 1572, inspired luxury furnishings, such as dressoires, armoires and cabinets. Its preface was signed "Hugues Sambin, Architecteur en la ville de Dijon". As an architect, he worked on the designs for temporary festive structures for the Royal entry into Dijon of Henri II and that of Charles IX (1564), for which Sambin was coordinator; in more lasting commissions, he built the ''Parlement'' of Besançon and the structure that is ''palais de Justice'' at Dijon, built to house the Parlement of Burgundy (1572). Archival references have recently revealed that he had spent six months in 1544 working at the Château de Fontainebleau, where the French Mannerist style was being rapidly evolved and perfected among the painters and stucco-workers and engravers of the School of Fontainebleau.
The somewhat hectic and overcharged style of Hugues Sambin was one of the models employed in the Renaissance revival styles of the second half of the nineteenth century.
An exhibition at the Musée National de la Renaissance, Château d'Écouen, October 2001 – January 2002, and the catalogue, ''Hugues Sambin: Un Créateur au XVIe siècle (vers 1520-1601)'' (Alain Erlande-Brandenburg, curator) revived interest in the craftsman-designer, who was trained as a ''menuisier'' or wood-worker.
==Notes==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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